September 22, 2011–January 1, 2012
Taryn Simon’s ambitious works are the result of a long process of research and investigation. Her photographs and writings underscore the invisible space between the visual world and language—a space in which translation and disorientation continually occur. This exhibition features a selection of works from Simon’s major projects from 2002 to 2010. The Innocents (2002) questions photography’s function as a credible eyewitness and arbiter of justice through portraits of individuals who were convicted of violent crimes they did not commit. An American Index of the Hidden and Unfamiliar (2007) comprises photographs and texts revealing objects and sites that are integral to America’s foundation, mythology, or daily functioning but remain inaccessible or unknown to the public. The fourth body of work, Contraband (2010), consists of 1,075 images depicting items detained or seized from passengers entering the United States from abroad over a five-day period, indexed and installed according to their official classification.
By drawing attention to the complex relationship between visual and verbal details, these series underscore habits of inference and judgment. As the operation of civil institutions and the circulation of information become increasingly image-dependent, the concepts of access, knowledge, interpretation, and truth are frequently conflated. Simon’s art acknowledges this and the fallacy of comprehension that photographs invite.
Additional support from Madeline and David Lubar, Tony and Sue Krausen, Christine A Symchych, and the Milwaukee Art Museum’s Photography Council.
Taryn Simon’s books The Innocents (2002), An American Index of the Hidden and Unfamiliar (2007) and Contraband (2010) are all available in the Museum Store and online.
Taryn Simon, White Tiger (Kenny), Selective Inbreeding, 2007. Chromogenic print, 37 ¼ x 44 ¼ in. © Taryn Simon.