{"id":5593,"date":"2022-08-25T12:10:00","date_gmt":"2022-08-25T17:10:00","guid":{"rendered":"https:\/\/mam.org\/info\/pressroom\/?p=5593"},"modified":"2024-03-15T07:51:15","modified_gmt":"2024-03-15T12:51:15","slug":"david-claerbouts-conceptual-installation-the-close-to-receive-u-s-museum-premiere-at-milwaukee-art-museum-in-november","status":"publish","type":"post","link":"https:\/\/mam.org\/info\/pressroom\/2022\/08\/david-claerbouts-conceptual-installation-the-close-to-receive-u-s-museum-premiere-at-milwaukee-art-museum-in-november\/","title":{"rendered":"David Claerbout\u2019s Conceptual Installation The Close to Receive U.S. Museum Premiere at Milwaukee Art Museum in November"},"content":{"rendered":"\n

Exhibition Extends the Museum\u2019s History of Discovering and Presenting Groundbreaking Work by Innovative and Experimental Artists<\/strong><\/p>\n\n\n\n

Milwaukee, WI \u2013 August 25, 2022 \u2013<\/strong> This winter, the Milwaukee Art Museum<\/strong> will mount the U.S. museum premiere of Belgian video and digital artist David Claerbout\u2019s<\/strong> multimedia installation The Close<\/em> (2022)<\/strong>. With this presentation, the Museum bolsters its commitment to exploring the work of contemporary artists whose work pushes the boundaries of traditional disciplines and inspires new modes of thinking about our past, present, and future. Claerbout\u2019s conceptual practice investigates the relationship between images and the passage of time, and with The Close<\/em>, the artist merges innovative new technology with historic photographic techniques, demonstrating how the practice of photography has evolved in today\u2019s digital age. The Close<\/em> will be on view in the Museum\u2019s Baker\/Rowland Galleries from November 18, 2022, through January 8, 2023<\/strong>.<\/p>\n\n\n\n

Conceived as a journey from the past to the future of the camera, The Close<\/em> brings together a reconstruction of amateur footage made circa 1920 with a digital 3D rendering of that footage. Viewers watch as a silent scene of barefoot children in a brick-walled alley\u2014a \u201cclose\u201d\u2014transitions from grainy footage of a child into a highly detailed portrait. The footage freezes on the figure\u202fand 24 distinct renditions of Arvo P\u00e4rt’s \u201cDa pacem Domine\u201d (2004) play simultaneously from freestanding speakers throughout the installation, creating an immersive experience. These competing scores offer audience members a wide range of differing encounters with the single image.<\/p>\n\n\n\n

Claerbout complements the installation with six large-scale \u201cprocessual drawings\u201d. These hand-printed digital drawings are made through a new iterative mixed-media method that begins with renderings in washed Chinese ink and ends with pencil and gouache finishings. Unlike many artists who use drawings as blueprints or a storyboard for their films, Claerbout uses the medium to create epilogues for his video projects, reconnecting the virtual to the tactile.<\/p>\n\n\n\n

\u201cDavid Claerbout\u2019s The Close<\/em> is an homage to the history of the camera, an emotional retelling of the progression of photography and moving pictures,\u201d said Margaret Andera, Interim Chief Curator and Curator of Contemporary Art at the Milwaukee Art Museum<\/strong>. \u201cThe work traces the proliferation of the camera in everyday modern life, deftly illustrating film\u2019s trajectory from the novelty of its early days to its contemporary digital possibilities. Claerbout masterfully presents this evolution with nostalgia and nuance.\u201d<\/p>\n\n\n\n

Through its acquisitions, commissions, exhibitions, and interventions by living artists, the Milwaukee Art Museum cultivates fresh interpretations of the art historical canon. The Close<\/em> continues the Museum\u2019s commitment to showcasing projects that bring historical pieces and contemporary practices into dialogue. This is embodied by the Museum\u2019s ongoing Currents<\/em> exhibition series which began four decades ago and has since featured trailblazers such as F\u00e9lix Gonz\u00e1lez-Torres and Tara Donovan, among others.<\/p>\n\n\n\n

\u201cA central part of the Museum\u2019s mission is to identify and exhibit artists working today who are innovators in their fields,\u201d stated Marcelle Polednik, Donna and Donald Baumgartner Director of the Milwaukee Art Museum<\/strong>. \u201cOur presentation of The Close<\/em> continues the Museum\u2019s legacy of mounting groundbreaking projects by both emerging and established artists, and we look forward to welcoming audiences to experience this profoundly moving work later this year.\u201d<\/p>\n\n\n\n

The Milwaukee Art Museum extends its sincere thanks to the 2022 Visionaries: Donna and Donald Baumgartner, Murph Burke, Joel and Caran Quadracci, Sue and Bud Selig, and Jeff and Gail Yabuki and the Yabuki Family Foundation.<\/p>\n\n\n\n

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About David Claerbout<\/strong><\/p>\n\n\n\n

David Claerbout (b. 1969, Kortrijk, Belgium) has built a career investigating the conceptual impact of the passage of time through his use of video and digital photography. The element of sound is critical in many of the works, often used as either a narrative device or a \u201cguide\u201d for the viewer to navigate the architectural space on screen. Claerbout\u2019s oeuvre is characterized by a meticulous attention to production details, painstakingly created often over a period of years. The resultant works are immersive environments in which the viewer is invited to engage both philosophically and aesthetically.<\/p>\n\n\n\n

Claerbout studied at the Nationaal Hoger Instituut voor Schone Kunsten in Antwerp from 1992 to 1995 and participated in the DAAD: Berlin Artists-in-Residence program from 2002 to 2003. Claerbout\u2019s work is included in major public collections worldwide, including Centre Georges Pompidou Mus\u00e9e National d\u2019Art Moderne, Paris, France; Pinakothek der Moderne, Munich, Germany; Art Gallery of Ontario, Toronto, Canada, among others. David Claerbout lives and works in Antwerp, Belgium, and Berlin, Germany.<\/p>\n\n\n\n

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About the Milwaukee Art Museum<\/strong><\/p>\n\n\n\n

The Milwaukee Art Museum welcomes people from throughout the community and the world to find themselves and lose themselves in art, creativity, and culture. At any one time, visitors can experience over 2,500 works on view within the Museum\u2019s collection galleries and three ever-changing exhibition spaces; participate in engaging programming; and explore the one-of-a-kind spaces across the 24-acre lakefront campus. The iconic architecture brings together structures designed by Eero Saarinen, David Kahler, and Santiago Calatrava. Famous for its moving Burke Brise Soleil, the Museum serves as a symbol for Milwaukee pride and connects the shores of Lake Michigan to the city\u2019s bustling downtown. For more information, visit mam.org<\/a>.<\/p>\n\n\n\n

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Media Contacts<\/strong><\/p>\n\n\n\n

For more information or to request images, please contact Resnicow and Associates:
Kathryn Hanlon-Hall \/ Isha Parkhi
khanlon-hall@resnicow.com<\/a> \/ iparkhi@resnicow.com<\/a>
\n212-671-5179<\/a> \/ 2126715162<\/a><\/p>\n\n\n\n

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Image:<\/strong> David Claerbout, The Close<\/em> (still, detail), 2022. Single channel video projection. black & white, 6 channel surround sound. 15 min 21 sec. \u00a9 David Claerbout. Courtesy: the artist and Sean Kelly, New York<\/p>\n","protected":false},"excerpt":{"rendered":"

This winter, the Milwaukee Art Museum will mount the U.S. museum premiere of Belgian video and digital artist David Claerbout\u2019s multimedia installation The Close (2022)<\/p>\n","protected":false},"author":7,"featured_media":5978,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-5593","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/posts\/5593","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/comments?post=5593"}],"version-history":[{"count":7,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/posts\/5593\/revisions"}],"predecessor-version":[{"id":5979,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/posts\/5593\/revisions\/5979"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/media\/5978"}],"wp:attachment":[{"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/media?parent=5593"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/categories?post=5593"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/tags?post=5593"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}