{"id":5084,"date":"2018-11-15T11:53:28","date_gmt":"2018-11-15T17:53:28","guid":{"rendered":"http:\/\/mam.org\/info\/pressroom\/?p=5084"},"modified":"2019-03-27T11:55:00","modified_gmt":"2019-03-27T16:55:00","slug":"milwaukee-art-museum-announces-first-retrospective-of-influential-new-york-artist-james-nares","status":"publish","type":"post","link":"https:\/\/mam.org\/info\/pressroom\/2018\/11\/milwaukee-art-museum-announces-first-retrospective-of-influential-new-york-artist-james-nares\/","title":{"rendered":"Milwaukee Art Museum Announces First Retrospective of Influential New York Artist James Nares"},"content":{"rendered":"\n<ul class=\"wp-block-list\"><li><em>New exhibition opening June 2019 at the Museum reveals the artist\u2019s significant, five-decades-long career bringing motion into the spotlight<\/em><strong><em>. &nbsp;<\/em><\/strong><em>&#8211;<\/em><\/li><\/ul>\n\n\n\n<p><strong>Milwaukee, Wis. \u2013 November 15, 2018 \u2013<\/strong> The first retrospective for New York\u2013based artist James Nares is opening at the Milwaukee Art Museum this summer. <strong><em>James Nares: Moves<\/em><\/strong>, on view <strong>June 14 through October 6, 2019<\/strong>, is<strong> <\/strong>the first exhibition to explore in depth the artist\u2019s films as central to his artistic practice. <\/p>\n\n\n\n<p>Nares has dedicated his five-decades-long career to focusing attention on motion by variously creating, capturing, and manipulating, as he describes it, \u201cthings in motion, motion in things.\u201d His video <em>Street<\/em>, from 2011, and single-brushstroke paintings, from the early 2000s, have brought broader, popular attention to the British-born artist through online video channels and an exhibition at the Metropolitan Museum of Art; both show Nares bringing a filmic perspective to his work, an approach he first established as a young artist in New York in the late 1970s.<\/p>\n\n\n\n<p>\u201cLooking at an artist such as James Nares and bringing greater attention to his work is an exciting opportunity for the Museum,\u201d said <strong>Margaret Andera, interim chief curator and curator of contemporary art, Milwaukee Art Museum<\/strong>. \u201cHe is an artist who has continued to question, explore, and produce, regardless of popular trends, instead remaining true to what intrigues him about the work and the world around him. The art world historically champions those who make a big splash; Nares is among those quieter gems we are getting better at recognizing in their lifetime.\u201d <\/p>\n\n\n\n<p><em>James Nares: Moves<\/em> brings together more than 140 of the artist\u2019s films, photographs, drawings, paintings, sculptures, and videos, revealing how Nares has returned to, built upon, and reinvented his filmic pursuits. A gallery near the end of the exhibition allows visitors to see some of the processes and tools behind Nares\u2019s art making. Featured are his sketchbooks, his paint brushes, which he makes himself, and footage on how <em>Street<\/em> and other videos were developed. <\/p>\n\n\n\n<p>\u201cJames Nares is a prolific, perpetual creator,\u201d said the curator of the exhibition, <strong>Marcelle Polednik, PhD, Donna and Donald Baumgartner Director, Milwaukee Art Museum<\/strong>. \u201cHe is not constrained by any one medium. A central figure of punk rock and No Wave cinema in New York in the 1970s, he has remained curious and innovative in his work as his pursuits have broadened and matured. His influence on the artists and art of New York is indelible; placing his work in the canon of art history allows us to more fully understand the development and nature of contemporary art.\u201d<\/p>\n\n\n\n<p>That the Museum\u2019s director is curating the exhibition is notable, further underscoring its importance. The emphasis on Nares\u2019s creative practice, his experimentation, is deliberate not only because it aligns with the Museum\u2019s seasonal focus on process, but also to highlight what, in many ways, has made Nares so significant to the contemporary art world: part and parcel of his work is everything that has led up to the making of each object.<\/p>\n\n\n\n<p>Nares was among the artists represented in MoMA\u2019s film series New York Film and Video: No Wave\u2014Transgressive, from December 1, 2017, to March 26, 2018, as was his friend, the film director Jim Jarmusch. Jarmusch and Thurston Moore, co-founder of Sonic Youth who provided the soundtrack to Nares\u2019s <em>Street<\/em> (and another longtime friend the artist met in the early days in New York), will contribute to the accompanying exhibition catalogue. Their personal perspectives will further enrich the related programming.<\/p>\n\n\n\n<p>The catalogue will be available for the opening of <em>James Nares: Moves<\/em> at the Milwaukee Art Museum, on June 14, 2019. Additional scholarly, public, and social programs in Milwaukee related to the exhibition will be announced at mam.org.<br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>New exhibition opening June 2019 at the Museum reveals the artist\u2019s significant, five-decades-long career bringing motion into the spotlight. &nbsp;&#8211; Milwaukee, Wis. \u2013 November 15, 2018 \u2013 The first retrospective for New York\u2013based artist James Nares is opening at the Milwaukee Art Museum this summer. James Nares: Moves, on view June 14 through October 6, <a href=\"https:\/\/mam.org\/info\/pressroom\/2018\/11\/milwaukee-art-museum-announces-first-retrospective-of-influential-new-york-artist-james-nares\/\" class=\"more-link\">&#8230;<span class=\"screen-reader-text\">  Milwaukee Art Museum Announces First Retrospective of Influential New York Artist James Nares<\/span><\/a><\/p>\n","protected":false},"author":1501,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-5084","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/posts\/5084","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/users\/1501"}],"replies":[{"embeddable":true,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/comments?post=5084"}],"version-history":[{"count":1,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/posts\/5084\/revisions"}],"predecessor-version":[{"id":5085,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/posts\/5084\/revisions\/5085"}],"wp:attachment":[{"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/media?parent=5084"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/categories?post=5084"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/tags?post=5084"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}