{"id":4574,"date":"2017-02-02T10:10:29","date_gmt":"2017-02-02T16:10:29","guid":{"rendered":"http:\/\/mam.org\/info\/pressroom\/?p=4574"},"modified":"2017-02-16T15:11:00","modified_gmt":"2017-02-16T21:11:00","slug":"milwaukee-art-museum-opens-new-exhibitions-to-engage-visitors-this-winter","status":"publish","type":"post","link":"https:\/\/mam.org\/info\/pressroom\/2017\/02\/milwaukee-art-museum-opens-new-exhibitions-to-engage-visitors-this-winter\/","title":{"rendered":"Milwaukee Art Museum Opens New Exhibitions to Engage Visitors this Winter"},"content":{"rendered":"

Milwaukee Art Museum Opens New Exhibitions to Engage Visitors this Winter<\/strong><\/h1>\n

-From a contemporary site-specific installation, to photographs and videos of New York City street life, to icons from the Layton Art Collection, there\u2019s an abundance of art to explore-<\/em><\/p>\n

\u00a0<\/strong>Milwaukee, Wis. \u2013 <\/strong>Jan. 24<\/strong>, 2017 \u2013 <\/strong>The Milwaukee Art Museum is opening four new exhibitions in the coming weeks. From a text-based art installation on the walls of Windhover Hall, to New York City street life explored through photography and media arts, to the first exhibition in a new series focused on paintings from the Layton Art Collection, the Museum is offering a range of experiences this winter. Visitors have the opportunity to see and contemplate the work of a number of notable artists, including Lawrence Weiner, Helen Levitt, James Nares and Eastman Johnson.<\/p>\n

Lawrence Weiner\u00a0<\/a><\/u><\/strong><\/p>\n

Currents 37: LAWRENCE WEINER: INHERENT INNATE TENSION<\/em>, on view Jan. 20\u2013April 2, marks the first time in the Museum\u2019s history that the walls of Windhover Hall are being used to present a work of art. Weiner, one of the central figures in conceptual art, visited Milwaukee in 2013 to familiarize himself with the Museum and to choose a site for his work. He focused on the Santiago Calatrava\u2013designed Windhover Hall and designed two installations for the Museum.<\/p>\n

Weiner\u2019s work reached public awareness in the 1960s and 70s, when art was taking on new forms. Weiner challenged traditional notions of the processes and materials that make up a work of art, using language to invent another way to present sculpture. Weiner\u2019s book Statements<\/em>, from 1968, is one of the key treatises of contemporary art. In it he describes the materials, processes and composition of sculpture in such a way that the text represents or becomes the sculpture itself. This, in turn, became the basis for Weiner\u2019s work.<\/p>\n

The Museum presents a variety of exhibitions, programs, and publications designed to introduce its visitors to the work of contemporary artists. Initiated in 1982, the Currents<\/em> exhibition series brings significant work by living artists into the Museum. The exhibition is sponsored by the Museum\u2019s Contemporary Art Society and William R. and Sandra G. Haack.<\/p>\n

Helen Levitt<\/a> and James Nares<\/a>\u00a0<\/u><\/strong><\/p>\n

Helen Levitt: In the Street<\/em> and James Nares: In the City<\/em> explore New York City street life through multiple mediums and eras. The exhibitions are on view in the Museum\u2019s popular Herzfeld Center for Photography and Media Arts Jan. 27\u2013April 16. The related exhibitions explore and draw comparisons across time between lens-based media.<\/p>\n

Brooklyn-born photographer Helen Levitt recorded the life of New York City\u2019s sidewalks for more than five decades. She began photographing with a 35mm Leica camera in the mid-1930s, sometimes taking pictures surreptitiously with the aid of a right-angle lens. Roaming through the working-class neighborhoods of the city, Levitt became known for photographing children at play, who were absorbed in their own intrigues and mostly indifferent to her presence. Levitt\u2019s photographs observe people of every age, race and class, without attempting to impose social commentary.<\/p>\n

In the Street<\/em> features more than 40 works, including early black-and-white prints, later color work, and a short film, also titled In the Street<\/em> (1948). Unique to the Milwaukee Art Museum\u2019s presentation is a slide show of Levitt\u2019s color photographs and a selection of works from the Museum\u2019s Collection.<\/p>\n

Concurrently, the Herzfeld Center\u2019s video spaces host James Nares: In the City<\/em>. The contemporary artist James Nares, born in England, also draws inspiration from the streets of New York City. The two works on display, Pendulum<\/em> (1976) and Street<\/em> (2011), reveal the artist\u2019s preoccupation with movement, rhythm and repetition. Pendulum<\/em>, originally filmed with a Super 8 camera, follows the arc of a concrete sphere as it swings through the deserted streets of TriBeCa. Thirty years later, Nares captures vibrant city life in Street<\/em>, a hypnotic high-definition video that plays in continuous slow motion, allowing the viewer to examine Nares\u2019 subject caught, like Levitt\u2019s, unaware.<\/p>\n

Exhibitions and programming in the Herzfeld Center are generously supported by the Herzfeld Foundation. Additionally, Helen Levitt: In the Street<\/em> is supported by Mrs. Robert O. Levitt, presenting sponsor, and organized by Telfair Museums, Savannah, Georgia. Additional support is provided by the David C. & Sarajean Ruttenberg Arts Foundation.<\/p>\n

Eastman Johnson<\/a><\/u><\/strong><\/p>\n

Eastman Johnson and a Nation Divided<\/em>, on view Feb. 10\u2013May 21, inaugurates a new series of focus exhibitions that highlights the Layton Art Collection, one of Milwaukee\u2019s seminal collections of American and European art formed by Frederick Layton in the late 19th century. The yearly exhibition will explore in depth a significant work from the Layton Art Collection, providing new insights and interpretations.<\/p>\n

\u00a0<\/strong>The first exhibition in the series focuses on artist Eastman Johnson. When his painting Negro Life at the South<\/em> debuted at New York\u2019s National Academy of Design in 1859, critics hailed it as a masterpiece. It quickly became a touchstone for both abolitionists and proponents of slavery alike for its indictment of urban servitude on the one hand and its seemingly idyllic view of southern rural culture on the other. After the Civil War, Johnson returned with a vengeance in 1871 with The Old Stagecoach<\/em>, a painting that critics hailed as the painter\u2019s \u201clatest and greatest\u201d and that attracted \u201ccrowds of devotees\u201d at the National Academy that same year. The Old Stagecoach<\/em> garnered unanimous praise for its nostalgic look at the country\u2019s national childhood; yet, it also contains subtle hints at post\u2013Civil War anxieties. Eastman Johnson and a Nation Divided<\/em> unites in conversation these two masterpieces as it explores Johnson\u2019s critical reception and each painting\u2019s historical and social context. The exhibition is sponsored by Layton Art Collection Inc.<\/p>\n

For more information and related programs, visit www.mam.org<\/a>.<\/p>\n

About the Milwaukee Art Museum<\/u><\/strong><\/p>\n

Home to a rich collection of more than 30,000 works of art, the Milwaukee Art Museum is located on the shores of Lake Michigan. Its campus includes the Santiago Calatrava\u2013designed Quadracci Pavilion, annually showcasing three feature exhibitions, and the Eero Saarinen\u2013designed Milwaukee County War Memorial Center and David Kahler\u2012designed addition. The Museum recently reopened its Collection Galleries, debuting nearly 2,500 world-class works of art within dramatically transformed galleries and a new lakefront addition. This reimagined space also allows for the presentation of additional changing exhibitions.<\/p>\n

Media Contact:<\/strong><\/p>\n

Vicky Shokatz, 414-239-0407<\/p>\n

vshokatz@buzzmonkeyspr.com<\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Milwaukee Art Museum Opens New Exhibitions to Engage Visitors this Winter -From a contemporary site-specific installation, to photographs and videos of New York City street life, to icons from the Layton Art Collection, there\u2019s an abundance of art to explore- \u00a0Milwaukee, Wis. \u2013 Jan. 24, 2017 \u2013 The Milwaukee Art Museum is opening four new … Milwaukee Art Museum Opens New Exhibitions to Engage Visitors this Winter<\/span><\/a><\/p>\n","protected":false},"author":858,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4574","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/posts\/4574","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/users\/858"}],"replies":[{"embeddable":true,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/comments?post=4574"}],"version-history":[{"count":4,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/posts\/4574\/revisions"}],"predecessor-version":[{"id":4578,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/posts\/4574\/revisions\/4578"}],"wp:attachment":[{"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/media?parent=4574"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/categories?post=4574"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/tags?post=4574"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}