{"id":4411,"date":"2016-05-24T15:04:43","date_gmt":"2016-05-24T20:04:43","guid":{"rendered":"http:\/\/mam.org\/info\/pressroom\/?p=4411"},"modified":"2016-05-24T15:10:37","modified_gmt":"2016-05-24T20:10:37","slug":"american-epics-thomas-hart-benton-and-hollywood-on-view-this-summer-at-milwaukee-art-museum","status":"publish","type":"post","link":"https:\/\/mam.org\/info\/pressroom\/2016\/05\/american-epics-thomas-hart-benton-and-hollywood-on-view-this-summer-at-milwaukee-art-museum\/","title":{"rendered":"American Epics: Thomas Hart Benton and Hollywood on view this summer at Milwaukee Art Museum"},"content":{"rendered":"

\"unspecified\"<\/a>American Epics: Thomas Hart Benton and Hollywood on view this summer at Milwaukee Art Museum<\/strong><\/p>\n

Reveals film industry\u2019s influence on artist\u2019s legendary artistic career; First retrospective in more than 25 years<\/em><\/p>\n

Milwaukee, Wis. \u2013 May 23, 2016 \u2013 <\/strong>The Milwaukee Art Museum is excited to share this year\u2019s summer exhibition, American Epics: Thomas Hart Benton and Hollywood<\/em>, on view from June 10 to Sept. 5. This is the first major exhibition on Benton in more than 25 years, and will portray the connection between his film industry experience and artistic career through approximately 100 works. Visitors to the exhibition will be transported as they step into a gallery filled with screen-worthy melodramas, war sagas and western spectacles.<\/p>\n

American painter Thomas Hart Benton (1889-1975) was influenced by Hollywood\u2019s motion picture industry and reinvented 20th<\/sup>-century American narratives by incorporating cinematic production techniques with an Old Master European style. Benton became acutely aware of the motion picture industry\u2019s rising influence and was sent by \u201cLife\u201d magazine to work in Hollywood on commission, where he discovered visual and thematic artistic inspiration.<\/p>\n

\u201cThis exhibition is really the first to cohesively connect Benton\u2019s cinema experience, from subject matter to techniques, with his paintings,\u201d says Brandon Ruud, Abert Family Curator of American Art at the Milwaukee Art Museum. \u201cHis fusion of traditional painting and contemporary, larger-than-life storytelling fueled by Hollywood is really extraordinary, and we are so pleased to share it at the Museum this summer.\u201d<\/p>\n

Themes of cultural identity, westward expansion, tolerance, prejudice and the American Dream were given epic treatment on the silver screen, and Benton harnessed those dramatic portrayals in his paintings. Perhaps Benton\u2019s most notable work, American Historical Epic<\/em>, is a series painted between 1920 and 1928 and runs more than 60 feet in length. Through this, he depicted the nation\u2019s past in unconventional ways to engage controversial issues such as race relations and national identity.<\/p>\n

Like Hollywood, he recognized typecasting as a way to transform individuals into a cast of American characters and personalities. Between 1937 and 1954, Benton painted five major works for projects related to motion pictures, including John Ford\u2019s film adaptation of John Steinbeck\u2019s \u201cThe Grapes of Wrath.\u201d<\/p>\n

Among these nearly 100 works, there will be 50 paintings and murals along with a selection of his drawings, prints and illustrated books. In addition, rare archival photographs and related ephemera, film clips and stills will also represent this quintessential American artist.<\/p>\n

The exhibition National Tour Sponsor is Bank of America.<\/p>\n

American Epics<\/em> is organized by the Peabody Essex Museum, Salem, Massachusetts, in collaboration with the Nelson-Atkins Museum of Art, Kansas City, Missouri, and the Amon Carter Museum of American Art, Fort Worth, Texas. The exhibition was made possible in part by Bank of America and a major grant from the National Endowment for the Humanities: Celebrating 50 years of excellence, with additional support from the National Endowment for the Arts. The exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities. Additional support provided by the Milwaukee Art Museum\u2019s Friends of Art.<\/p>\n

About the Milwaukee Art Museum<\/strong><\/p>\n

Home to a rich collection of more than 30,000 works of art, the Milwaukee Art Museum is located on the shores of Lake Michigan. Its campus includes the Santiago Calatrava\u2013designed Quadracci Pavilion, annually showcasing three feature exhibitions, and the Eero Saarinen\u2013designed Milwaukee County War Memorial Center and David Kahler\u2012designed addition. The Museum recently reopened its Collection Galleries, debuting nearly 2,500 world-class works of art within dramatically transformed galleries and a new lakefront addition.<\/p>\n

[Thomas Hart Benton.\u00a0Portrait of a Musician, 1949.\u00a0Casein, egg tempera, and oil varnish on canvas, mounted on wood panel.\u00a048 1\u2044 2 \u00d7 32 in. (123.2 \u00d7 81.3 cm)
\nMuseum of Art and Archaeology, University of Missouri\u2013Columbia, Anonymous gift, 67.136.\u00a0Art \u00a9 T.H. Benton and R.P. Benton Testamentary Trusts\/UMB Bank Trustee\/Licensed by VAGA, New York, NY]<\/h6>\n

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American Epics: Thomas Hart Benton and Hollywood on view this summer at Milwaukee Art Museum Reveals film industry\u2019s influence on artist\u2019s legendary artistic career; First retrospective in more than 25 years Milwaukee, Wis. \u2013 May 23, 2016 \u2013 The Milwaukee Art Museum is excited to share this year\u2019s summer exhibition, American Epics: Thomas Hart Benton … American Epics: Thomas Hart Benton and Hollywood on view this summer at Milwaukee Art Museum<\/span><\/a><\/p>\n","protected":false},"author":858,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-4411","post","type-post","status-publish","format-standard","hentry","category-featured-press-release"],"acf":[],"_links":{"self":[{"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/posts\/4411","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/users\/858"}],"replies":[{"embeddable":true,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/comments?post=4411"}],"version-history":[{"count":5,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/posts\/4411\/revisions"}],"predecessor-version":[{"id":4418,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/posts\/4411\/revisions\/4418"}],"wp:attachment":[{"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/media?parent=4411"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/categories?post=4411"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/tags?post=4411"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}