{"id":2104,"date":"2010-10-21T09:08:12","date_gmt":"2010-10-21T15:08:12","guid":{"rendered":"http:\/\/www.mam.org\/info\/pressroom\/?p=2104"},"modified":"2010-11-01T09:14:40","modified_gmt":"2010-11-01T15:14:40","slug":"anniversary","status":"publish","type":"post","link":"https:\/\/mam.org\/info\/pressroom\/2010\/10\/anniversary\/","title":{"rendered":"Milwaukee Art Museum Celebrates Architecture in 2011"},"content":{"rendered":"<p><strong>Milwaukee Art Museum Celebrates Architecture in 2011<\/strong><br \/>\n<em><strong>10th Anniversary of Santiago Calatrava addition, new exhibitions on Frank Lloyd Wright, The Forbidden City, and Calatrava&#8217;s Masterpiece<\/strong><\/em><\/p>\n<p><strong>Milwaukee, Wis.\u2014 <\/strong>To celebrate the 10th anniversary of its iconic addition designed by Santiago Calatrava, the Milwaukee Art Museum has announced an ambitious exhibition and program series for 2011 that focuses on architecture.\u00a0\u00a0 The Calatrava-designed Quadracci Pavilion\u2014whose moving parts are unprecedented in U.S. architecture\u2014has resulted in a revitalized waterfront in Milwaukee, allowed for acclaimed exhibitions, and more than doubled Museum attendance.<\/p>\n<p>The 2011 anniversary program will present three exhibitions, <em>Frank Lloyd Wright: Organic Architecture for the 21st Century<\/em> (February 12\u2013May 15, 2011), <em>The Emperor\u2019s Private Paradise: Treasures from the Forbidden City<\/em> (June 11\u2013September 11, 2011), and <em>Building a Masterpiece: Santiago Calatrava and the Milwaukee Art Museum<\/em> (September 8, 2011\u2013January 1, 2012).\u00a0 In addition, the Museum will feature symposiums and panel discussions on architecture and special events with visiting architects.<\/p>\n<p>\u201cMilwaukee will be an important destination for architecture in 2011,\u201d said Daniel T. Keegan, director, Milwaukee Art Museum. \u201cThe Milwaukee Art Museum is now the symbol of the city, due to the visionary efforts of Mr. Calatrava.\u00a0 We hope to attract architects and visitors from around the world to see firsthand the resounding success of extraordinary architecture, and to view our <em>Frank Lloyd Wright, Treasures from the Forbidden City, and Calatrava Building a Masterpiece<\/em> exhibitions.\u201d<\/p>\n<p>Overlooking Lake Michigan, the Milwaukee Art Museum\u2019s extraordinary white concrete, 142,050-square-foot Quadracci Pavilion is instantly recognizable by its movable sunscreen, which lifts like wings over the Museum\u2019s soaring reception hall\u2014unfolding when the Museum opens each morning and folding at night.\u00a0 A suspension pedestrian bridge connects the city to the Museum, and the interior cathedral-like structure has a vaulted 90-foot-high glass ceiling.\u00a0 Finished in 2001, the Quadracci Pavilion is the first building Calatrava completed in the United States.<\/p>\n<p>\u201cI had clients who truly wanted from me the best architecture that I could do,\u201d Calatrava has said.\u00a0 \u201cTheir ambition was to create something exceptional for their community\u2026.\u00a0 Thanks to them, this project responds to the culture of the lake: the sailboats, the weather, the sense of motion and change.\u201d<\/p>\n<p>\u201cMuseums across the country bring immense value to their communities,\u201d said American Association of Museums president Ford W. Bell. \u201cThe Milwaukee Art Museum, with its spectacular addition, against the backdrop of Lake Michigan, has created one of our country\u2019s great cultural icons.\u00a0 Not only has its new home served to introduce its collection to nearly four million visitors over the past decade, it has also brought substantive, tangible rewards to the city\u2018s economy, culture and image.\u201d\u00a0 Keegan added:\u00a0 \u201cThe Associated Press reported in 2007 that the economic impact on the city increased by 44 percent to $20.1 million between 2000 and 2006.\u201d<\/p>\n<p>\u201cThe Milwaukee Art Museum\u2019s Calatrava-designed addition has become symbolic of the \u201cnew\u201d Milwaukee and its vibrant arts and cultural scene. This lakefront icon has significantly increased our tourism profile to visitors worldwide through its award-wining design,\u201d said Paul Upchurch, President &amp; CEO, VISIT Milwaukee.<\/p>\n<p><strong>Related Exhibitions<br \/>\n<\/strong><em>Frank Lloyd Wright: Organic Architecture for the 21st Century<\/em> will be on view from February 12 through May 15, 2011.\u00a0 The exhibition will survey Wright\u2019s major projects, including Unity Temple in Oak Park, Illinois (1905), Fallingwater in Mill Run, Pennsylvania (1936), and Johnson Wax in Racine, Wisconsin (1936),\u00a0 known today as the SC Johnson Administration Building.\u00a0 The exhibition is timed to mark the centennial of Taliesin (designed 1911\u201359), Wright\u2019s home, studio and school in Spring Green, Wisconsin.\u00a0 Among the highlights will be over 30 drawings that have never been exhibited before, as well as furniture, photography and work relating to Taliesin and Taliesin West, his later home in Scottsdale, Arizona (designed 1937\u201359).\u00a0 Many of the works are on loan from the Frank Lloyd Wright Foundation in Scottsdale.\u00a0 <em>Frank Lloyd Wright: Organic Architecture for the 21st Century<\/em> is the first exhibition to consider the relevance of Wright\u2019s organic architecture to today\u2019s environmentally conscious society.<\/p>\n<p>In summer, the Milwaukee Art Museum will present, from the Qianlong Garden in Beijing, <em>The Emperor\u2019s Private Paradise: Treasures from the Forbidden City<\/em>.\u00a0 This major exhibition of over 90 objects will survey murals, paintings, furniture, and architectural components found in an extraordinary complex of lavish buildings and exquisite landscaping dating back centuries.\u00a0 When the last emperor fled the Forbidden City in 1924, the doors were shut and the objects remained unaltered until 2001, when the Palace Museum in Beijing began a massive restoration project in conjunction with the World Monuments Fund.\u00a0 These objects have never been seen by the public before, and will be in Milwaukee June 11\u2013September 11, 2011, before returning to their permanent home in China.<\/p>\n<p>\u201cWe are thrilled and honored to be one of only three museums in the country to feature these beautiful objects,\u201d said Keegan.\u00a0 \u201c<em>Treasures from the Forbidden City<\/em> is part of a much larger exhibition schedule on Chinese art, and we are calling 2011 the \u2018Summer of China\u2019 at the Museum.\u00a0 More than likely, exhibitions of this international cultural significance would not have been possible without the cachet the Calatrava-designed addition has brought to the Museum.\u201d<\/p>\n<p>Finally, the Museum will honor Santiago Calatrava\u2019s impact on the city with the exhibition <em>Building a Masterpiece: Santiago Calatrava and the Milwaukee Art Museum<\/em> from September 8, 2011, through January 1, 2012, which will survey drawings, photography, models and video related to the Quadracci Pavilion.\u00a0 Santiago Calatrava has said that buildings by Wisconsin\u2019s native son Frank Lloyd Wright inspired his addition to the Milwaukee Art Museum.\u00a0 Many of the works have never before been on public view.<\/p>\n<p><strong>Background<br \/>\n<\/strong>In 1994, the Museum\u2019s search committee chose Calatrava from a field of 55 architects.\u00a0 A $10 million then-anonymous gift from Betty and Harry Quadracci kicked off a capital campaign.\u00a0 Flying to Milwaukee 40 times over the course of designing and building the Museum addition, Calatrava\u2019s \u201cdesign evolved into a very challenging project\u2014full of curves requiring painstaking custom work and features that had never before been made for a building,\u201d wrote Cheryl Kent in the book <em>Santiago Calatrava: Milwaukee Art Museum<\/em>, published by Rizzoli in 2005.<\/p>\n<p>The building incorporates both cutting-edge technology and old-world craftsmanship.\u00a0 The hand-built structure was largely created by pouring concrete into one-of-a-kind wooden forms.\u00a0 It is a building that could only have been made in a city with Milwaukee\u2019s strong craft tradition.\u00a0 The Quadracci Pavilion has attracted numerous accolades, including Time magazine naming it the best new design project of the year in 2001.\u00a0\u00a0\u00a0<\/p>\n<p>The Milwaukee Art Museum comprises three buildings designed by three legendary architects:\u00a0 Eero Saarinen, David Kahler, and Santiago Calatrava.<\/p>\n<p><strong>About Santiago Calatrava<br \/>\n<\/strong>Spanish-born architect Santiago Calatrava has achieved considerable international acclaim in recent years with his breathtaking feats of engineering and his stunning architectural constructions.\u00a0 His designs for the major stadium at the 2004 Olympics in Athens and his selection as architect of the highly anticipated World Trade Center Transportation Hub in lower Manhattan have put him before the eyes of the world.\u00a0 Calatrava first established his reputation as the preeminent engineer of our time with a remarkable series of bridges designed for cities around the globe\u2014Barcelona, Bilbao, Seville and Valencia in Spain, as well as Buenos Aires, Jerusalem and Venice.\u00a0 In addition, Calatrava\u2019s spectacular cultural and civic projects have secured his place in the pantheon of world-class 21st-century architects.\u00a0 Among these projects are train stations in Zurich, Lyon and Lisbon; the Sondica Airport in Bilbao; and the Science Museum, Planetarium and Opera House in Valencia.<\/p>\n<p style=\"text-align: center\"># # #<\/p>\n<p><strong>Digital Images<\/strong><br \/>\nTo download a high-resolution press image, visit the Museum\u2019s online resources at <a href=\"http:\/\/www.mam.org\/info\/pressroom\">www.mam.org\/info\/pressroom<\/a>.\u00a0<\/p>\n<p><strong>About the Museum<br \/>\n<\/strong>The Milwaukee Art Museum\u2019s far-reaching holdings include more than 20,000 works spanning antiquity to the present day. With a history dating back to 1888, the Museum houses a collection with strengths in 19th- and 20th-century American and European art, contemporary art, American decorative arts, and folk and self-taught art.<\/p>\n<p><strong>Architectural Highlights<br \/>\n<\/strong>The grand entrance hall for the <a title=\"Quadracci Pavilion\" href=\"http:\/\/www.mam.org\/info\/details\/quadracci.php\" target=\"_blank\">Quadracci Pavilion<\/a>, known as <a title=\"Windhover Hall\" href=\"http:\/\/www.mam.org\/visit\/details\/detail_windhover.php\" target=\"_blank\">Windhover Hall<\/a>, is Santiago Calatrava\u2019s postmodern interpretation of a Gothic cathedral, complete with flying buttresses, pointed arches, ribbed vaults and a central nave topped by a 90-foot-high glass roof.\u00a0<\/p>\n<p>The hall\u2019s chancel is shaped like the prow of a ship, with floor-to-ceiling windows overlooking Lake Michigan.\u00a0 Adjoining the central hall are two arched promenades, the Baumgartner Galleria and the Schroeder Foundation Galleria, with expansive views of the lake and the downtown.<\/p>\n<p>The Museum\u2019s signature wings, the <a title=\"Burke Brise Soleil\" href=\"http:\/\/www.mam.org\/visit\/details\/detail_burke.php\" target=\"_blank\">Burke Brise Soleil<\/a>, form a movable sunscreen with a 217-foot wingspan.\u00a0 The brise soleil is made up of 72 steel fins, ranging in length from 26 to 105 feet.\u00a0 The entire structure weighs 90 tons.\u00a0 It takes 3.5 minutes for the wings to open or close.\u00a0 Sensors on the fins continually monitor wind speed and direction; whenever winds exceed 23 mph for more than three seconds, the wings close automatically.\u00a0<\/p>\n<p>\u201cThis building moves people.\u00a0 It is that rare thing, a new experience at the scale of a building.\u00a0 Even those who know what the building looks like and know that it involves motion are taken by the physical surprise of it,\u201d wrote Cheryl Kent.\u00a0 \u201cThe museum addition has that combination of technological muscle and unlikely beauty that captivates people.\u201d<\/p>\n<p>The Milwaukee Art Museum is located at 700 N. Art Museum Drive, Milwaukee, WI 53202.\u00a0 For more information, please call 414-224-3200 or visit <a href=\"http:\/\/www.mam.org\/\">www.mam.org<\/a>.<\/p>\n<p><strong>Press Contacts<br \/>\n<\/strong>For additional information and images please contact:<\/p>\n<p>Vicki Scharfberg, Senior Director of Marketing &amp; Communications<br \/>\n414-224-3243, <a href=\"mailto:vicki.scharfberg@mam.org\">vicki.scharfberg@mam.org<\/a><\/p>\n<p>Kristin Settle, Public Relations Manager<br \/>\n414-224-3246, <a href=\"mailto:kristin.settle@mam.org\">kristin.settle@mam.org<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Milwaukee Art Museum Celebrates Architecture in 2011 10th Anniversary of Santiago Calatrava addition, new exhibitions on Frank Lloyd Wright, The Forbidden City, and Calatrava&#8217;s Masterpiece Milwaukee, Wis.\u2014 To celebrate the 10th anniversary of its iconic addition designed by Santiago Calatrava, the Milwaukee Art Museum has announced an ambitious exhibition and program series for 2011 that <a href=\"https:\/\/mam.org\/info\/pressroom\/2010\/10\/anniversary\/\" class=\"more-link\">&#8230;<span class=\"screen-reader-text\">  Milwaukee Art Museum Celebrates Architecture in 2011<\/span><\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2104","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/posts\/2104","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/comments?post=2104"}],"version-history":[{"count":5,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/posts\/2104\/revisions"}],"predecessor-version":[{"id":2109,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/posts\/2104\/revisions\/2109"}],"wp:attachment":[{"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/media?parent=2104"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/categories?post=2104"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/tags?post=2104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}