{"id":11,"date":"2008-01-20T10:23:24","date_gmt":"2008-01-20T16:23:24","guid":{"rendered":"http:\/\/www.mam.org.php5-5.websitetestlink.com\/info\/pressroom\/?p=11"},"modified":"2008-03-10T09:53:54","modified_gmt":"2008-03-10T15:53:54","slug":"modernity-and-tradition-film-in-interwar-central-europe","status":"publish","type":"post","link":"https:\/\/mam.org\/info\/pressroom\/2008\/01\/modernity-and-tradition-film-in-interwar-central-europe\/","title":{"rendered":"Modernity and Tradition: Film in Interwar Central Europe"},"content":{"rendered":"<p><strong><br \/>\nFilm Program for the exhibition<br \/>\n<em>FOTO: Modernity in Central Europe, 1918-1945<\/em><\/strong><br \/>\nFeb. 9 &#8211; May 4, 2008, Milwaukee Art Museum<\/p>\n<p><!--more--><\/p>\n<p><strong>&#8220;City Films&#8221;<\/strong><br \/>\nFeb. 20, 7:00pm | University of Wisconsin-Milwaukee Union Cinema<\/p>\n<p>Prague at Night <em>(Praha v z\u00e1\u0159\u00ed sv\u011btel)<\/em> by Svatopluk Innemann<br \/>\n1928, 35 mm, silent, 24 minutes, Czechoslovakia<\/p>\n<p>Aimless Walk <em>(Bez\u00fa\u010deln\u00e1 proch\u00e1zka)<\/em> by Alexandr Hackenschmied<br \/>\n1930, 35 mm, silent, 10 minutes, Czechoslovakia<\/p>\n<p>Urban Gypsies <em>(Gro\u00dfstadt Zigeuner)<\/em> by L\u00e1szl\u00f3 Moholy-Nagy<br \/>\n1932, 35 mm, silent, 11 minutes, Germany<\/p>\n<p>Living in Prague <em>(\u017dijeme v Praze)<\/em> by Otakar V\u00e1vra<br \/>\n1934, 35 mm, Czech, 13 minutes, Czechoslovakia<\/p>\n<p>Budapest, City of Baths <em>(Budapest f\u00fcrd\u0151v\u00e1ros)<\/em> by Istv\u00e1n Somk\u00fati<br \/>\n1935, 35 mm, silent with music track, 14 minutes, Hungary<\/p>\n<p><em>Jewish Life in Krak\u00f3w<\/em> by Shaul and Yitzhak Goskind<br \/>\n1939, 16 mm, Yiddish with subtitles, 10 minutes, Poland<\/p>\n<p><em>Jewish Life in Lw\u00f3w<\/em> by Shaul and Yitzhak Goskind<br \/>\n1939, 16 mm, Yiddish with subtitles, 11 minutes, Poland<\/p>\n<p><em>A Day in Warsaw<\/em> by Shaul and Yitzhak Goskind<br \/>\n1938, 16 mm, Yiddish with subtitles, 10 minutes, Poland<\/p>\n<p><strong>&#8220;City Films&#8221;<\/strong><br \/>\nFeb 23, 1:00pm | Milwaukee Art Museum Lubar Auditorium<\/p>\n<p>Berlin: Symphony of a Big City <em>(Berlin: Die Sinfonie einer Gro\u00dfstadt)<\/em> by Walter Ruttmann<br \/>\n1927, DVD, silent, 72 minutes, Germany<\/p>\n<p><strong>&#8220;Homeland, Homeland: My Country&#8221; Program One<\/strong><br \/>\nFeb. 27, 7:00pm | University of Wisconsin-Milwaukee Union Cinema<\/p>\n<p>Kuyaviak (Kujawiak) (from <em>Polish Dance Series<\/em>) by Eugeniusz C\u0119kalski<br \/>\n1935, 35 mm, English, 7 minutes, Poland<\/p>\n<p>Faithless Marijka <em>(Marijka nev\u011brnice)<\/em> by Vladislav Van\u010dura<br \/>\n1934, 35 mm, Ruthenian, Slovak, Yiddish and Czech with subtitles, 76 minutes, Czechoslovakia<\/p>\n<p>The Song of Ruthenia <em>(P\u00edse\u0148 o Podkarpatsk\u00e9 Rusi)<\/em> by Ji\u0159\u00ed Weiss<br \/>\n1937, 35 mm, Czech with subtitles, 11 minutes, Czechoslovakia<\/p>\n<p><strong>&#8220;Homeland, Homeland: My Country&#8221; Program Two<\/strong><br \/>\nMar. 1, 1:00pm | Milwaukee Art Museum Lubar Auditorium<\/p>\n<p>The Blue Light <em>(Das blaue Licht)<\/em> by Leni Riefenstahl<br \/>\n1932, DVD, German, 79 minutes, Germany<\/p>\n<p><strong>&#8220;Homeland, Homeland: My Country&#8221; Program Three<\/strong><br \/>\nMar. 5, 7:00pm | University of Wisconsin-Milwaukee Union Cinema<\/p>\n<p>The Hungarian Village <em>(A magyar falu)<\/em> by L\u00e1szl\u00f3 Kand\u00f3<br \/>\n1935, 35 mm, Hungarian with English intertitles, 15 minutes, Hungary<\/p>\n<p><em>Hortob\u00e1gy<\/em> by Georg H\u00f6llering<br \/>\n1936, 35 mm, Hungarian with subtitles, 82 minutes, Hungary<\/p>\n<p><strong>&#8220;Homeland, Homeland: My Country&#8221; Program Four<\/strong><br \/>\nMar. 8, 1:00pm | Milwaukee Art Museum Lubar Auditorium<\/p>\n<p>The Singing Earth <em>(Zem spieva)<\/em> by Karel Plicka<br \/>\n1933, DVD, silent with music track, Czech and English intertitles, 80 minutes, Czechoslovakia<\/p>\n<p><strong>&#8220;Celluloid Myths and Celluloid Dreams&#8221;<\/strong><br \/>\nMar. 9, 2:00pm | Milwaukee Art Museum Lubar Auditorium<\/p>\n<p>The Dybbuk <em>(Der Dibuk)<\/em> by Micha\u0142 Waszy\u0144ski<br \/>\n1937, DVD, Yiddish with subtitles, 123 minutes, Poland<\/p>\n<p>Followed by a discussion led by Jody Hirsh, Jewish Community Center, and Lisa Hostetler.<\/p>\n<p><strong>&#8220;The Most Important Art&#8221;<\/strong><br \/>\nMar. 15, 1:00pm | Milwaukee Art Museum Lubar Auditorium<\/p>\n<p>Mother Krause&#8217;s Journey to Happiness <em>(Mutter Krausens Fahrt ins Gl\u00fcck)<\/em> by Piel Jutzi<br \/>\n1929, DVD, silent, German intertitles with translation, 116 minutes, Germany<\/p>\n<p><strong>&#8220;The Popular&#8221;<\/strong><br \/>\nMar. 22, 1:00pm | Milwaukee Art Museum Lubar Auditorium<\/p>\n<p>The Last Laugh <em>(Der letzte Mann)<\/em> by F. W. Murnau<br \/>\n1924, DVD, silent with English intertitles, 90 minutes, Germany<\/p>\n<p><strong>Special Program<br \/>\n&#8220;Avant-garde Shorts&#8221; and <\/strong><strong>&#8220;Homeland, Homeland: My Country&#8221; Program Five<\/strong><br \/>\nApr. 2, 7:00pm | University of Wisconsin-Milwaukee Union Cinema<\/p>\n<p><strong>7:00pm<\/strong> Ghosts before Breakfast <em>(Vormittagsspuk)<\/em> by Hans Richter<br \/>\n1927\/1928, 16 mm, silent, 6 minutes, Germany<\/p>\n<p>Boots <em>(Buty)<\/em> by Jerzy Gabrielsky<br \/>\n1934, 35 mm, Polish with subtitles, 12 minutes, Poland<\/p>\n<p>There Is a Ball Tonight <em>(Dzi\u015b mamy bal)<\/em> by Jerzy Zarzycki and Tadeusz Kowalski<br \/>\n1934, 35 mm, silent with music track and subtitles, 7 minutes, Poland<\/p>\n<p>The Adventure of a Good Citizen <em>(Przygoda cz\u0142owieka poczciwego)<\/em> by Stefan and Franciszka Themerson<br \/>\n1937, 35 mm, Polish with subtitles, 8 minutes, Poland<\/p>\n<p>At the Prague Castle <em>(Na Pra\u017esk\u00e9m hrad\u0115)<\/em> by Alexandr Hackenschmied<br \/>\n1931, 35 mm, silent with music track, 11 minutes, Czechoslovakia<\/p>\n<p>The Highway Sings <em>(Silnice zp\u00edv\u00e1)<\/em> by Elmar Klos<br \/>\n1937, 35 mm, Czech with subtitles, 4 minutes, Czechoslovakia<\/p>\n<p><strong>8:00pm<\/strong> Lecture by Sonja Simonyi<\/p>\n<p><strong>9:00pm<\/strong> Spring Shower <em>(Tavaszi z\u00e1por)<\/em> by P\u00e1l Fej\u0151s<br \/>\n1932, 35 mm, Hungarian with subtitles, 66 minutes, Hungary<\/p>\n<p><strong>Opening night of the symposium<br \/>\n&#8220;Picturing the Modern: Photography, Film, and Society in Central Europe, 1918-1945&#8221;<\/strong><br \/>\nApr. 3 | Milwaukee Art Museum Lubar Auditorium<\/p>\n<p><strong>5:15pm<\/strong> &#8220;Antifascism, Photomontage and the Image of Nazism&#8221;<br \/>\nAnson Rabinbach, Keynote Speaker (History Department Princeton University)<\/p>\n<p><strong>6:15pm<\/strong> Reception sponsored by the Photography Council<\/p>\n<p><strong>7:00pm<\/strong> The Blue Angel <em>(Der blaue Engel)<\/em> by Josef von Sternberg<br \/>\n1930, DVD, German with subtitles, 106 minutes, Germany<\/p>\n<p><strong>&#8220;The Most Important Art&#8221;<\/strong><br \/>\nApr. 16, 7:00pm | University of Wisconsin-Milwaukee Union Cinema<\/p>\n<p>In the Shadow of the Machine <em>(Im Schatten der Maschine)<\/em> by Albrecht Viktor Blum<br \/>\n1928, 35 mm, silent, German intertitles with translation, 20 minutes, Germany<\/p>\n<p>Children Must Laugh <em>(Mir Kumen On)<\/em> by Aleksander Ford<br \/>\n1935, 16 mm, English narration and Yiddish spoken with subtitles, 56 minutes, Poland<\/p>\n<p><strong>&#8220;Celluloid Myths and Celluloid Dreams&#8221;<\/strong><br \/>\nApr. 23, 7:00pm | University of Wisconsin-Milwaukee Union Cinema<\/p>\n<p>Waxworks <em>(Das Wachsfigurenkabinett)<\/em> by Paul Leni<br \/>\n1924, 16 mm, silent, English intertitles, 70 minutes, Germany)<\/p>\n<p>The Magic Eye <em>(Divotvorn\u00e9 oko)<\/em> by Ji\u0159\u00ed Lehovec<br \/>\n1939, 35 mm, Czech with subtitles, 10 minutes, Czechoslovakia<\/p>\n<p><strong>&#8220;The Popular&#8221; Program One<\/strong><br \/>\nApr. 30, 7:00pm | University of Wisconsin-Milwaukee Union Cinema<\/p>\n<p>Address Unknown <em>(C\u00edmzett ismeretlen)<\/em> by B\u00e9la Ga\u00e1l<br \/>\n1935, 35 mm, Hungarian with subtitles, 83 minutes, Hungary<\/p>\n<p><strong>&#8220;The Popular&#8221; Program Two<\/strong><br \/>\nMay 7, 7:00pm | University of Wisconsin-Milwaukee Union Cinema<\/p>\n<p>Heave Ho! <em>(Hej rup!)<\/em> by Martin Fri\u010d (Ji\u0159\u00ed Voskovec\/Jan Werich)<br \/>\n1934, 35 mm, Czech with subtitles, 99 minutes, Czechoslovakia<\/p>\n<p><strong>Films to be looped in screening room of Baker\/Rowland exhibition galleries:<\/strong><\/p>\n<p>Ghosts before Breakfast <em>(Vormittagsspuk)<\/em> by Hans Richter<br \/>\n1927\/1928, DVD (16 mm), silent, 6 minutes, Germany<\/p>\n<p><em>Kuyaviak (Kujawiak)<\/em> (from <em>Polish Dance Series<\/em>) by Eugeniusz C\u0119kalski<br \/>\n1935, DVD (35 mm), English, 7 minutes, Poland<\/p>\n<p>Urban Gypsies <em>(Gro\u00dfstadt Zigeuner)<\/em> by L\u00e1szl\u00f3 Moholy-Nagy<br \/>\n1932, DVD (35 mm), silent, 11 minutes, Germany<\/p>\n<p><em>Jewish Life in Krak\u00f3w<\/em> by Shaul and Yitzhak Goskind<br \/>\n1939, DVD (16 mm), Yiddish with subtitles, 10 minutes, Poland<\/p>\n<p align=\"center\">###<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Film Program for the exhibition FOTO: Modernity in Central Europe, 1918-1945 Feb. 9 &#8211; May 4, 2008, Milwaukee Art Museum<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-11","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/posts\/11","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/comments?post=11"}],"version-history":[{"count":0,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/posts\/11\/revisions"}],"wp:attachment":[{"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/media?parent=11"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/categories?post=11"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mam.org\/info\/pressroom\/wp-json\/wp\/v2\/tags?post=11"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}