Color Rush: 75 Years of Color Photography in America
February 22, 2013–May 19, 2013
Color Rush presents approximately 140 color photographs made between 1907, when the Lumière Brothers began marketing the autochrome, and 1981, when the use of color photography in art was no longer as contentious as it once had been.
Rembrandt, Van Dyck, Gainsborough: The Treasures of Kenwood House, London
October 12, 2012–January 13, 2013
The Milwaukee Art Museum is delighted to be one of four museums in the United States to present Rembrandt, Van Dyck, Gainsborough: The Treasures of Kenwood House, London, an exhibition of forty-eight masterpieces on tour from the Iveagh Bequest collection.
Posters of Paris: Toulouse-Lautrec and His Contemporaries
June 1, 2012–September 9, 2012
Posters of Paris examines the story of the French artistic poster in all its complexity. In addition to the posters themselves, this exhibition features rare preparatory drawings and watercolors, maquettes, and proofs to show how the artist went from idea to final execution. The show will highlight work and artists well known to the public—Toulouse-Lautrec, Bonnard, Mucha—as well as artists less familiar but equally powerful in their impact on the affiche artistique in fin-de-siècle Paris.
Accidental Genius: Art from the Anthony Petullo Collection
February 10, 2012–May 6, 2012
This exhibition celebrates the gift to the Milwaukee Art Museum of more than 300 works from the Anthony Petullo Collection. This generous gift greatly enhances the Milwaukee Art Museum’s significant holdings of self-taught material. Petullo, a retired Milwaukee businessman and current Board of Trustees member, built his collection over a span of over thirty years. The collection’s strength is in European work, an area represented in few American collections.
Impressionism: Masterworks on Paper
October 14, 2011–January 8, 2012
Impressionism: Masterworks on Paper presents 125 drawings, watercolors and pastels by some of the greatest artists in the history of Western Art. Active in France during the second half of the nineteenth century and closely associated with avant-garde movements, artists such as Manet, Degas, Renoir, Pissarro, Seurat, Gauguin, Cezanne, Van Gogh, and Toulouse-Lautrec created works on paper that may be less well-known than their paintings but which are just as significant. Organized by the Museum in partnership with the Albertina in Vienna, the exhibition demonstrates how these artists chose to emphasize drawing, thereby ceasing to recognize the traditional distinction between drawing and painting.
Summer of CHINA
June 11, 2011–September 11, 2011
This summer, enter a realm of majesty and mystery. Experience three thousand years of Chinese art and culture in five exhibitions at the Milwaukee Art Museum. This ambitious series, titled the Summer of CHINA, is part of a year-long celebration honoring the ten-year anniversary of the Museum’s Santiago Calatrava—designed Quadracci Pavilion.
Frank Lloyd Wright: Organic Architecture for the 21st Century
February 12, 2011–May 15, 2011
Experience over 150 objects designed by “America’s greatest architect,” Frank Lloyd Wright, in the new exhibition Frank Lloyd Wright: Organic Architecture for the 21st Century at the Milwaukee Art Museum. Featuring thirty-three never-before-shown drawings by the Wisconsin legend, as well as rare home movies, this forward-looking exhibition of the celebrated architect is on view February 12 through May 15, 2011.
European Design Since 1985: Shaping the New Century
October 9, 2010–January 9, 2011
Objects surround us. They help us cook, rest, organize, clean, and more. Through thoughtful design, these items also have the power to inspire, please, and confound. Explore more than 200 quintessential contemporary objects that blur the line between fine art, craft, and design, and celebrate the technical innovations and artistic creativity of their designers.
These are not just objects.
American Quilts: Selections from the Winterthur Collection
May 22, 2010–September 6, 2010
More than 40 outstanding quilts on exhibit from Winterthur document women’s political, social, and cultural lives in the formative period of the early American republic (1760-1850). With skillful needlework, graphic patterning, and an eye for color, quiltmakers transformed both common and exotic textiles into extraordinary works of art.
Street Seen: The Psychological Gesture in American Photography, 1940–1959
January 30, 2010–April 25, 2010
Abstract Expressionism, film noir, Beat poetry, and the New Journalism are all widely recognized aftershocks of World War II, representing a broad aesthetic revolution that championed spontaneity and subjective interpretation as the guiding principles of creative practice. Postwar photographers in many ways set the rhythm and tenor of this new approach, not least because the hand-held camera was naturally suited to chance discoveries and impulsive gestures.
Andy Warhol: The Last Decade
September 26, 2009–January 3, 2010
Andy Warhol: The Last Decade is the first U.S. museum survey exhibition to explore the work that this seminal American artist produced during the final years of his life. Warhol entered a period of renewed vigor and enthusiasm in the 1980s that resulted in what was arguably the most productive period of his career.
June 6, 2009–August 23, 2009
See two groundbreaking exhibitions on artists who are deemed true “American originals”: The Artistic Furniture of Charles Rohlfs, featuring forty of the American designer’s finest furniture and decorative art pieces, begins its five-venue national tour at the Milwaukee Art Museum. The Eight and American Modernisms brings together for the first time more than fifty paintings and approximately thirty works on paper by the group of American artists dubbed The Eight—artists now emerging as the first generation of early American modernists.
February 7, 2009–April 26, 2009
Daring and innovative as a painter, draughtsman, and printmaker, Dutch artist Jan Lievens (1607-1674) created a number of memorable character studies, genre scenes, landscapes, formal portraits, and religious and allegorical images. This exhibition will, for the first time, present an overview of the full range of Lievens’ career, with about 45 of his finest paintings and a select group of his drawings and prints.
Act/React Interactive Art
October 4, 2008–January 11, 2009
This first-of-its-kind exhibition presents installation artwork dependent upon and subject to the intuitive and nontechnical physical actions of the visitor. Among the works featured are talking tables, virtual snowstorms, and glowing pools of organic patterns by artists Janet Cardiff, Brian Knep, Liz Phillips, Daniel Rozin, Scott Snibbe, and Camille Utterback.
Gilbert & George
June 14, 2008–September 1, 2008
Gilbert and George, two sculptors who met in college, have been creating work for the last forty years that, according to TimeOut London, "tap into public opinion at just the right time." Confronting the punk anger and racial tensions of the '70s to consumer capitalism in the '80s to the terrorism fears of today, the artists' brightly colored photomontages are raw examinations of human experience.
Foto: Modernity in Central Europe, 1918–1945
February 7, 2008–May 4, 2008
In the 1920s and 1930s, photography became an immense phenomenon across Austria, Czechoslovakia, Germany, Hungary, and Poland. It fired the imagination of hundreds of progressive artists, provided a creative outlet for thousands of devoted amateurs, and became a symbol of modernity for millions through its use in magazines, newspapers, advertising, and books.
October 6, 2007–January 13, 2008
Martín Ramírez (1895–1963) left his native Mexico in 1925 with the aim of finding work in the United States and supporting his wife and children back home in Jalisco. Unable to communicate in English and apparently confused, he was soon picked up by the police and committed to a psychiatric hospital, where he would eventually be diagnosed as a catatonic schizophrenic. Ramírez spent the second half of his life in a succession of mental institutions in California.
Pissarro: Creating the Impressionist Landscape
June 9, 2007–October 9, 2007
This exhibition will explore the remarkable transformation of Camille Pissarro's landscape paintings over the course of an important decade in his career, from 1864 to 1874. During this time, he moved from being a student of the Barbizon school to becoming one of the leaders of the emerging Impressionist movement. This critical period of his evolution as an artist laid the groundwork for an entire generation of painters, many of whom were influenced by his experimental techniques and vision.
Francis Bacon: Paintings from the 1950s
January 27, 2007–April 15, 2007
Francis Bacon: Paintings from the 1950s is the first exhibition to look in detail at this extraordinarily fertile decade in Bacon's life and affords the viewer unprecedented insight into the artist's imaginative powers as well as his constantly evolving sources and techniques. Although the most fruitful years in Bacon's career, they were also the most tumultuous and tortured in the artist's unsettled existence; Bacon was regularly without a fixed address, borrowing rooms and changing studios with bewildering frequency.
Biedermeier: The Invention of Simplicity
November 16, 2006–January 1, 2007
This touring international loan exhibition focuses on the Biedermeier period in Central Europe from 1815 to 1830. It brings together for the first time almost 300 outstanding examples of German, Austrian and Czechoslovakian paintings, furniture, related decorative arts and works on paper that document in depth the innovative character of the period and demonstrate how it is a precursor to modernism. This is the first exhibition on the subject in North America and will offer a fresh exploration for European audiences.
Masters of American Comics
April 29, 2006–August 13, 2006
Masters of American Comics is the first art museum exhibition to examine comic strips and books on this expansive scale. Each artist is represented by in-depth groupings presented as a series of individual retrospectives featuring a range of each artist's works from conceptual sketches and finished drawings to printer's proofs, tear sheets, printed newspapers, comic books and graphic novels.
Elusive Signs: Bruce Nauman Works with Light
January 28, 2006–April 9, 2006
Bruce Nauman deals with the big questions of life, in the words of his 1983 neon: Life, Death, Love, Hate, Pleasure, Pain. Nauman's work focuses on the essential elements of the human experience. Elusive Signs: Bruce Nauman Works with Light, premiering at the Milwaukee Art Museum January 28 – April 9, is Nauman's first solo exhibition in Wisconsin, the state in which he was raised. Bruce Nauman has been recognized since the early 1970s as one of America's most innovative and provocative contemporary artists.
Rembrandt and His Time: Masterworks from the Albertina, Vienna
October 8, 2005–January 8, 2006
This fall, the Milwaukee Art Museum and Wisconsin Energy Foundation present some of the greatest drawings and paintings ever produced by Netherlandish artists in the exhibition Rembrandt and His Time: Masterworks from the Albertina, Vienna. Including 115 drawings and prints from the Albertina and 15 related paintings, the exhibition explores the pivotal and influential role of Rembrandt as a draftsman in mid-seventeenth-century Holland.
CUT/Film as Found Object
June 25, 2005–September 11, 2005
UT/Film as Found Object is a fascinating installation consisting of 14 video works by some of today's most influential artists. CUT explores how contemporary artists use excerpts from pre-existing films and television to create new narratives, different emotional content and new musical scores. Artists featured include Christian Marclay, Pierre Huyghe and Douglas Gordon. The exhibition is organized by the Milwaukee Art Museum with the assistance of the Museum of Contemporary Art (MOCA), North Miami.
February 19, 2005–June 5, 2005
Degas Sculptures presents a rare opportunity to view in a single exhibition all 73 bronze sculptures by the great French Impressionist master, Edgar Degas. The exhibition explores one of the most fascinating aspects of the work of this seminal painter and sculptor whose innovative compositions, skillful drawing and perceptive analysis of movement made him one of the late 19th-century masters of modern art.
Masterpieces of American Art, 1770 - 1920: From the Detroit Institute of Arts
October 23, 2004–January 30, 2005
This fall, visitors to the Milwaukee Art Museum have an unprecedented opportunity to celebrate America's best art and trace the country's early history and culture through a visually stunning exhibition of painting and sculpture from the period in which American art came into its own.
Magnetic North: The Landscapes of Tom Uttech
July 10, 2004–October 3, 2004
One of the most widely admired landscape painters in America, Tom Uttech merges 19th-century notions of the ideal landscape with aspects of surrealism and photo-realism to create his unique vision of the North Woods. The artist re-establishes the wilderness as a mystical and magical place where the animal kingdom reigns, the colors of nature flourish and the various forces of nature are played out.
American Fancy: Exuberance in the Arts, 1790-1840
April 10, 2004–June 20, 2004
Brilliant colors and wild patterns will be on view at the Milwaukee Art Museum April 3 - June 20, 2004. Organized by the Milwaukee Art Museum, American Fancy: Exuberance in the Arts, 1790-1840 features more than 200 of the most ornamental and emotionally engaging artifacts ever produced in this country.
Defiance Despair Desire: German Expressionist Prints from the Marcia and Granvil Specks Collection
January 17, 2004–March 14, 2004
The nearly 200 prints featured in the exhibition Defiance Despair Desire: German Expressionist Prints from the Marcia and Granvil Specks Collection are among the most dramatic artworks of the 20th century.
Industrial Strength Design: How Brooks Stevens Shaped Your World
June 7, 2003–September 7, 2003
Milwaukee industrial designer Brooks Stevens and Spanish architect Santiago Calatrava were made for each other. The swooping, streamlined aesthetic that Stevens helped to pioneer in the 1930s is reflected in the lines of Calatrava's beautiful Quadracci pavilion at the Milwaukee Art Museum. Industrial Strength Design How Brooks Stevens Shaped Your World will give visitors a chance to experience the museum's galleries in a new way: filled with custom cars and futuristic boats that bring home the excitement of one of America's greatest designers.